By Nancy Bilyeau
There are some books you open at Page One and the next time you look up, hours and perhaps days have passed and you just made it to the end. It's impossible to tear yourself away. Jennifer Kitses' Small Hours is an engrossing novel of a single day in the life of a young couple whose suburban life is far less perfect than it seems. Over the course of a single day, the viewpoint swings back and forth between Helen Nichols, a graphic designer working at home while taking care of young twins, and Tom Foster, the commuter in the family who is hanging on to his job as a financial editor by a thread. Money problems and the stress of parenting are taking a toll on Helen and Tom, issues that I could completely relate to--and I'm sure I'm not alone. As their lives unravel, the tensions and secrets between the two come to a full boil. I found myself reading the book while holding my breath!
I caught up with Jennifer Kitses to ask her some questions about this, her debut novel.
Has your life ever changed
this substantially in a single day?
I’m not sure if my life has
ever changed significantly in one day. (If so, I’ve erased that from my
memory!) But I’ve had many days, particularly when my twin daughters were very
little, when I experienced so much in one day: maybe there’s a major problem at work (the kind
that can cost you a job), and then something crazy happens at the park, and then
suddenly a child is very sick and needs to go to the emergency room, and
meanwhile everyone in the family is sleep-deprived and making one terrible
decision after another. I’ve had that day many times, only to get up the next morning
and start the process all over again. I think there’s definitely a kid-factor
at play here, but these types of days can happen to anyone. One you’ve made one
terrible decision or had a moment of bad luck, more seem to follow ¾ it’s
like there’s a law of compounding errors
Do you think of this story as one about a strong marriage being tested
by a devastated economy (and specifically the downturn and collapse of
the media) or is it primarily about the issues the couple have deep down
and they would manifest no matter how their careers fared?
Tom and Helen face a
number of crises over the course of one day, and I think they would be forced
to confront some of their problems--particularly the ones that arise in Tom’s storyline--no
matter what they were experiencing financially. However, Helen’s story is very
closely tied to changes in the economy, and to her position in it. She is watching
her family slide down the economic ladder. She’s very aware of how job losses
and downsizing have hurt her family, and how the financial decisions and
mistakes that she and Tom have made are now affecting their well-being.
The year isn’t specified in
the novel, but the 2008 financial crisis was very much on my mind as I was
writing it: Tom and Helen bought their house at the height of the market, and
then they were hit by the collapse of the media industry and the economic
downturn. But I also feel that the middle class has been struggling for a long
time, and that was something I wanted to weave into the story. There’s a large
section of the middle class (increasing all the time, it seems to me) that is
barely scraping by, and the downsizing of a job or even an unexpected medical
bill can be devastating.
Would you say that trust
is a theme of the novel?
Trust is one of those
themes that sort of worked its way in, without my realizing it at the time. I
think both Tom and Helen would say that they trust each other completely. Yet
at the same time, neither is being completely truthful, or trustworthy. They
both have trouble with self-perception. I’ve always been fascinated with the difference
between how we see ourselves and who we really are, and that runs through the story.
(Personally, I think most people are still deserving of trust, even after terrible
errors of judgment.)
Is the upstate New York town based on a real place? It felt incredibly
real.
Devon is based partly on
Beacon, New York, although the real Beacon is faring a lot better than my
imaginary town. I also brought in aspects of Maynard, Massachusetts--another former mill town that I love.
Doing the research about
the setting was one of my favorite parts of working on this book. I loved
taking the train to Beacon on weekdays, and seeing what it felt like when so
many people were off at their jobs in the city. I’ve often imagined leaving the
city for various Hudson Valley towns, and it was great to have an excuse to
explore.
How about the jobs that the husband and wife have? That too felt very
authentic. Did you need to do research being a graphic artist or a financial
editor?
After putting aside an
earlier novel that required endless research, I decided to make things a little
easier for myself with this story. So I borrowed a lot from my personal
experience. I was a reporter at a financial newswire (Bloomberg News) for about
four years, and I’ve also worked at magazines, so I was able to draw on those
settings for Tom’s workplace. Helen’s job is based on my husband’s work in
graphic design. He read all of those sections very carefully, many times, and
even helped me vet product names for nutritional supplements (which play a role
in Helen’s job). There are so many crazy supplements out there--it
was hard to come up with names that aren’t actual products!
Did you consider telling the story from one character’s point of view
initially and then it became the back and forth?
I planned on the alternating
points-of-view from the start, and I was so happy to find a structure that
worked. It made sense, because I wanted to tell each of their stories. Also, I
was interested in how Tom and Helen each have their own, full life (at home and
at work, with and without their kids, on the subway and at the playground), and
yet they come together at the beginning and end of their days, and connect at
various times. Each is a strong presence in the other’s life, but they live in
their own worlds.
Which writers have most influenced you in how you approached this
novel?
There was definitely a Tom
Perrotta influence; I’m a huge fan of Little Children and Election, which have shifting points-of-view and a
lot of momentum. But crime novels have also been a major influence,
because I’m drawn to stories with tension and suspense. Current favorites are
Richard Price and Kate Atkinson, for her Jackson Brodie series. Sometimes I’m
very influenced by a single book by a writer; I love the sense of place in The Fortress of Solitude by Jonathan
Lethem.
What is your next book?
I’m very excited about the story I’m working on now, but it’s still in early stages. I’m guessing it will change a lot over the next few drafts. I wish I knew a better--or faster!--way, but at this point the details are still falling into place.
I’m very excited about the story I’m working on now, but it’s still in early stages. I’m guessing it will change a lot over the next few drafts. I wish I knew a better--or faster!--way, but at this point the details are still falling into place.
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Jennifer Kitses is the author
of the novel Small Hours. She received an MLitt in creative writing
from the University of St. Andrews in Scotland, and has worked for Bloomberg
News, Condé Nast Portfolio, and Columbia Business School. Her
fiction has appeared in Akashic Books' online series, Mondays Are
Murder. She lives with her family in New York. You can follow her on Twitter at @JenKitses.