Tuesday, September 22, 2026

The Heiress of Northanger Abbey at Your Local Library: Step-by-Step Guide

My historical novel The Heiress of Northanger Abbey, published on Sept. 1, 2026, is getting a great response! I love the reviews on Goodreads, Amazon, and NetGalley. Such as this five star one:

"A beautifully atmospheric Gothic mystery with a powerful mother-daughter heart."

The Heiress of Northanger Abbey by Nancy Bilyeau

While early sales are wonderful, I also wanted to make sure libraries can order The Heiress of Northanger Abbey. It’s important to me that people can read it if they can’t afford to buy it. 

If you're wondering if libraries can carry The Heiress of Northanger Abbey, the answer is yes.

Even if you own my book already, please take the time to reach out to your local library so we can be sure everyone can read it.

I’ve included suggested approaches.

For a visit to your local branch:

Hi, I’m hoping you can acquire a copy of The Heiress of Northanger Abbey by Nancy Bilyeau for the library’s collection. It’s a new historical novel with a starred review from BlueInk Review. Libraries can order the physical book (paperback and hardcover) through the IngramSpark catalog, and the ebook is available on OverDrive, Hoopla, and cloudLibrary. Thank you so much for looking into it!

How to request it through an email or your library app:

1.)    Log into your library’s website or the Libby/OverDrive app.

2.)    Search for ‘The Heiress of Northanger Abbey.’

3.)    If it doesn’t show up, scroll to the bottom and look for “Didn’t find what you’re looking for?” or “Suggest a title.”

4.)    Click Recommend, or fill out the form with the ISBNs and details provided:

ISBN paperback: 979-8993563046

ISBN hardcover: 979-8993563039

ISBN digital: 979-8993563053

If you could take a few minutes to reach out to make sure people can read this novel at the library, it would mean the world to me. Let's make sure anyone who wants to, can read it.

Thank  you!

Monday, August 31, 2026

The Heiress of Northanger Abbey Is On Sale

On September 1st, The Heiress of Northanger Abbey went on sale as an ebook, paperback, and hardcover, available in the United States, the United Kingdom, Canada, and Australia.

Set twenty-two years after Jane Austen’s classic, my novel features Catherine Tilney, who is horrified when her daughter Phoebe appears to fall prey to the Thorpe family that once made Catherine's life a misery. She must journey into the shadowy moorland, confront past enemies, and master real-world perils to save her daughter from disaster.

This novel is for Jane Austen fans who adore a high-spirited Regency tale, for readers who savor a hint of the Gothic—and for anyone who longs to be transported to the mist-shrouded moors.


To order The Heiress of Northanger Abbey, go to these retailers:

Amazon
Barnes & Noble
Bookshop.org
Apple
Kobo

"If you're looking for a cozier thriller, this 'sequel' to Jane Austen's last novel may be the perfect pick. It finds Northanger Abbey heroine Catherine Tilney trying to help her daughter avoid entanglements with the very family that nearly ruined her happiness—which takes them to an isolated manor beset with secrets (and maybe vampires?). You'll get a touch of that Austen spirit, with a Gothic mystery mixed in." -- Real Simple magazine, "Perfect for Fall Reading List"

"Bilyeau successfully builds upon Austen's themes by exploring motherhood, legacy and the lasting consequences of youthful misjudgments. The result is a sequel that honors its literary predecessor while offering enough of a fresh perspective to satisfy both Austen fans and historical mystery readers." -- Publishers Weekly BookLife Prize critic's report

"If you ever wondered how Catherine fared after Jane Austen's masterpiece of satire Northanger Abbey ended--wait no more! A high-stakes game of cat-and-mouse that puts both her life and her daughter's future on the line. This delicious Gothic tale, full of twists and turns, will keep you turning pages late into the night." -- Katherine Reay, author of The Berlin Letters and The English Masterpiece

"Nancy Bilyeau crafts an elegant story that pays due homage to both Austen and the Gothic novel, and gives the reader a fascinating view into some of Austen's most iconic characters. Don't let this one pass you by!" -- Vanessa Kelly, author of the Emma Knightley mysteries

"The Heiress of Northanger Abbey is a perfect fall read, filled with romantic plots, horrifying villains and a shockingly passionate but twisted plot that will leave the reader gasping. Go gothic this fall and enjoy every single page of it." -- Smart Bitches, Trashy Books review

Saturday, August 15, 2026

My Tudor Thriller 'The Crown' is Only $1.99

For the next two weeks, my debut novel, The Crown, is on a deep discount as an ebook in the United States. Usually, this ebook is priced at least $14.99.

Until the end of August, The Crown costs $1.99 on Amazon, Barnes & Noble, and Apple.


When the novel was published, Woman's Day said it was “part The Da Vinci Code, part The Other Boleyn Girl." Which tells you something about the time when it was published: 2012. :)

I prefer the review in Oprah magazine:

“The spirited young nun at the center of Nancy Bilyeau's expansive novel of political treachery, The Crown (Touchstone), is the very definition of an accidental heroine. In 16th-century London, with Rome at war with the Church of England, Sister Joanna lives happily cloistered in a Dominican priory, "insulated from the selfishness and vanity, the mindless pomp of the world." But when her beloved cousin is sentenced to burn for treason, Joanna bravely slips away from the priory—risking excommunication—to provide comfort at the execution. Soon she is arrested and coerced into a Da Vinci Code–like scheme; refusal to cooperate could mean her father's brutal death. Bilyeau deftly weaves extensive historical detail throughout, but the real draw of this suspenseful novel is its juicy blend of lust, murder, conspiracy, and betrayal.”


Tudor fiction was once all I wanted to write! I dove into my deep feelings for the Tudor era in my latest Substack column: Thoughts About the Tudorverse

To order The Crown:

 Amazon

Barnes & Noble

Apple 

Friday, July 31, 2026

Interview with Judith Starkston

 

Everyone is talking about Christopher Nolan's blockbuster film, The Odyssey. It makes me want to shine the light on historical novelist Judith Starkston, author of Achilles's Wife: A Novel of Greek Myth Retelling.

I met Judith at my very first Historical Novel Society conference, in St. Petersburg, Florida, and we became friends. We met again at the conference in San Antonio, Texas, and we actually walked through the Alamo fort together!
Judith Starkson photo

Judith, who has degrees in classics, wrote Hand of Fire: A Novel of Briseis and the Trojan War, which I very much enjoyed. The novel takes the perspective of the woman whom Achilles pursues, depicting her as a fully developed person and not just a spoil of war. I was intrigued to learn that this spring, Judith published Achilles’s Wife: A Novel of Greek Myth Retelling.
 
This book tells the story of the woman Achilles married before he sailed for Troy. I caught up with Judith to ask her some questions.

Nancy Bilyeau: Please talk about what kind of novels you write.

Judith Starkston: I write historical fiction that retells Greek myths. In both my earlier novel, Hand of Fire, and my current release, Achilles’s Wife, I chose as my central focus women who have been silenced or marginalized in the myths. Many of the underlying assumptions of our culture came from the Graeco-Roman tradition—for example, the idea that powerful women are “monstrous” (or “brassy” or a witch, etc). My novels rework those stories in ways that expand our unconscious view of the “appropriate” roles for women. What better way to rewire our stubbornly ingrained archetypes than turning those ancient myths on their heads in immersive, entertaining fiction?


NB: What draws you to the story of Achilles and the fascinating women in his life, his mother, lovers and wife?

JS: In modern understanding, Achilles is often reduced to a selfish, bloodthirsty warrior who lets his fellow Greeks die because their Commander-in-Chief Agamemnon took away his war loot. That’s not how I see the tradition.
 
Briefly put, Achilles is the only one who challenges a greedy, power-hungry Agamemnon and the meaningless war Agamemnon has caused. Achilles is forced into withdrawing from the battle through the twists that come from this morally driven stance. There’s a cost to standing up to corruption.
 
So, as a character for my fiction, Achilles is a juicy source of tragic flaws, admirable courage, and, to add another element, ambiguous, complicated love stories with one all-important man and two (mythically silent) women. As you can imagine, Briseis and Deidamia (Mia for short) are no longer silent in my novels.

Hand of Fire takes place close to Troy, and the power struggles between Achilles and Agamemnon are key to its plot, which is experienced through Briseis’s eyes as a war captive of Achilles. In essence, it’s the Trojan War told from a key woman’s perspective.

Achilles’s Wife opens earlier in mythic time, with Thetis, the goddess mother of Achilles, trying desperately to protect her mortal son from his foretold early death at Troy. She is a mysteriously powerful goddess, whose forced marriage to a mortal has turned her against all humans. She calls them “worms.” But she also faces the overwhelming force of motherlove for her human son who will die. Trapped between contradictory drives, she makes decisions that throw her into conflict with her son—not the least of which is to “hide” him inside a woman’s body so no one will find him to recruit for the war. That’s a shift I added to the myth. Achilles is usually portrayed in slapstick drag, dressed up like a girl, but still in a very male body. No one would notice a big warrior in a dress, would they?
 
This shift from the silly to the traumatic creates room for Achilles, during his time as a woman, to develop a serious friendship with the young woman Deidameia, whom the myth tells us he married on the island of Skyros before the Trojan War began. Traditionally, the myth mentions only that she was a pretty girl whom he got pregnant.
 
You could sum it up: randy teen gets girl pregnant and splits. Not very interesting! Instead, growing out of their meaningful friendship, the novel explores a more complex story of gender and friendship, marriage and motherhood, and, most challenging, motherhood and governance.

NB: Does the popular culture’s fascination with the Trojan War present opportunities or challenges for you when writing historical fiction?

JS: The opportunities far outweigh the challenges. While some readers are very set in their view of these mythical characters and thus are positively allergic to “my” Deidamia or Achilles, most are intrigued to find new takes in each myth retelling, whether mine or any of the many excellent writers of the genre. Mythology-based films, like Nolan’s Odyssey, and best-selling novels set in the Trojan War, like Song of Achilles or A Thousand Ships, bring enthusiastic readers to this subgenre of historical fiction. Popularity is a benefit.
 
I bring historical accuracy to my Bronze Age Greek world that isn’t always found in this genre, and I think my readers appreciate it. I don’t think such dedication to history is required for good mythic tales, but it is for me. Mythology has always been full of contradictory and changing versions, so the current popularity of reinterpreted myth retellings is a continuation of a centuries-long trend. Most readers revel in that variability and creativity. That makes it very fun to write.

See more on Achilles's Wife here.


And you can read Judith's review of The Odyssey here.

Sunday, July 12, 2026

Goodreads Giveaway of 'The Heiress of Northanger Abbey'

Goodreads is running a giveaway of my historical mystery, The Heiress of Northanger Abbey. Five signed paperbacks are being offered. To enter, go here.




Early reviews have been encouraging!

BlueInk Review gave it a star and said, "Nancy Bilyeau’s novel is a smart update and sequel to Jane Austen’s Northanger Abbey, set 22 years later. But Bilyeau doesn’t just attempt a stiff Regency pastiche; instead, she writes with a gorgeous, fluid voice that brings Jane Austen’s beloved characters back to life in a beautifully layered and thoroughly human way."

“Prepare to be captivated by this brilliant homage to the Gothic genre that will thrill Austen fans and lovers of historical fiction alike. Impossible to put down.”
—Syrie James, bestselling author of The Missing Manuscript of Jane Austen and The Mysteries of Pendowar Hall

“Mysteries and dangers … very enjoyable!”
—Janie Chang, USA Today bestselling author of The Fourth Princess: A Gothic Novel of Old Shanghai

“Twenty years after the events of Northanger Abbey, one of Jane Austen’s most gentle and warm-hearted heroines sets out to protect her daughter from the very real dangers of being an heiress. The result is a sparkling tribute to Gothic stories, replete with moors, ruined castles, vampyre stories and forbidden romance. Insightful and charming, this is a novel of which Miss Austen would surely approve.”
—Susan Breen, award-winning author of Merry

“The Heiress of Northanger Abbey is richly layered, deliciously Gothic, and brimming with psychological suspense.”
—Emilya Naymark, author of the Sylvan mystery novels

“A compelling version of the story years after Austen’s own story closes….Impossible to put down and highly recommended.”
—Michelle Cameron, author of Napoleon’s Mirage  





Sunday, June 14, 2026

Unveiling the Gothic Cover for My New Jane Austen Sequel



I'm excited to share the cover of The Heiress of Northanger Abbey. It's a Gothic historical mystery and a sequel to Jane Austen's classic. Twenty-two years later, Catherine Tilney must fight to protect her daughter from fortune hunters.





This novel is for Austen fans and anyone who adores a high-spirited Regency tale, savors a hint of the Gothic, and longs to be transported to the mist-shrouded moors.

The book officially goes on sale September 1st. Preorders are possible now--and the ebook is discounted to $4.99 before publication. (Paperback will be sold later.)

Amazon 

Barnes & Noble

Bookshop.org

Apple


I'm so grateful for the endorsements that have come in:

"Prepare to be captivated by this brilliant homage to the Gothic genre that will thrill Austen fans and lovers of historical fiction alike. Impossible to put down!"- Syrie James, bestselling author of The Missing Manuscript of Jane Austen and The Mysteries of Pendowar Hall

"Nancy Bilyeau's sequel employs prose reminiscent of Austen's writing, with enough twists to keep the story interesting. Very enjoyable!" -Janie Chang, USA Today bestselling author of The Fourth Princess: A Gothic Novel of Old Shanghai

"Twenty years after the events of Northanger Abbey, one of Jane Austen's most gentle and warm-hearted heroines sets out to protect her daughter from the very real dangers of being an heiress. The result is a sparkling tribute to Gothic stories, replete with moors, ruined castles, vampyre stories and forbidden romance. Insightful and charming, this is a novel of which Miss Austen would surely approve." -Susan Breen, award-winning author of Merry

The Heiress of Northanger Abbey is richly layered, deliciously Gothic, and brimming with psychological suspense.” —Emilya Naymark, author of the award-nominated Sylvan crime novels

"Catherine Morland is older and wiser, but twenty years on, she’s still drawn to the Gothic. A thrilling sequel that honours the original but brings its own delicious drama. Familiar characters in a masterful new tale about the next generation of the Tilney family."— Kate Braithwaite, author of The Scandalous Life of Nancy Randolph

“A compelling version of the story years after Austen’s story closes…impossible to put down and highly recommended.” —Michelle Cameron, author of Napoleon’s Mirage




Saturday, November 22, 2025

Tudor History Podcasts: Hits and Misses on Elizabeth I

History Podcasts on the Tudors   

My Substack about these podcasts got such an enthusiastic response, I wanted to share that section here on my author website blog.


After enjoying two episodes from different podcasts on Henry VIII in recent weeks, I was excited to see that the long-running podcast The Rest Is History was releasing a series of episodes devoted to Elizabeth I. I’ve enjoyed the witty and erudite talks by Tom Holland and Dominic Sandbrook, especially their mini seasons devoted to Lord Byron and the French Revolution. 





This is why I was dismayed to hear so many mistakes and misinterpretations in “Elizabeth I: The Fall of the Axe,” the episode about her parents. After beginning reasonably well on the background of Henry VIII and his first marriage, I’m told that Elizabeth I’s mother, Anne Boleyn, “was not even really an aristocrat.” 

Oh?

She was the granddaughter of the Duke of Norfolk and spent her childhood and teenage years as a maid of honour at the courts of Brussels and Paris, two of the most prestigious in Europe. No other Englishwoman in the early 16th century had such a heady start. 

We’re also told that Anne’s father, Thomas Boleyn, was a country squire who loved horses, akin to Major Ferguson, Sarah Ferguson’s father.
 
What?

Boleyn, proficient in Latin and French, was England’s ambassador to France, nothing like the “galloping major.”

 Things got worse. They say Anne Boleyn miscarried of nearly a full-term son in 1534, Henry VIII formed a liaison with Jane Seymour in 1534, and Henry Norris, executed for adultery with Anne in 1536, defended her on the scaffold. The historical record does not support any of these “facts.” 

 What makes it so baffling is that in the YouTube version, you can see the men reading from notes. Where on earth did they get these notes? It’s not as if the life of Anne Boleyn is obscure! The Tudors and The Other Boleyn Girl get more history right than this. I’m baffled. 




 Nonfiction Book to the Rescue 

I don’t think I will be listening to the rest of The Rest of History’s episodes on Elizabeth I. Which is a shame, because it feels like these days historians are putting the Late Elizabethan court under greater scrutiny than the usual “Armada-Shakespeare-James I Succession” golden haze.

 Five years ago, I was drawn to the end of Elizabeth’s reign and wrote “Elizabeth I: The Final Days of the Great Queen” for English Historical Fiction Authors. When researching it, I felt like Elizabeth’s naming of her successor, the Scottish king who was her first cousin twice removed, carried the whiff of the apocryphal. Supposedly, while dying and unable to speak, she pointed to her head when James’ name was spoken.  But I wasn't aware of anyone challenging it. Until now.

 I have just finished reading a full-length book that delves deeply into this fascinating subject: The Stolen Crown: Treachery, Deceit and the Death of the Tudor Dynasty. The author is Tracy Borman, Chief Historian for Historic Royal Palaces, the charity that manages Hampton Court Palace, the Tower of London, Kensington Palace, Kew Palace, and more. Borman’s research makes a strong case that Elizabeth I never named James; instead, Elizabeth’s closest counselors engaged in a dangerous conspiracy with James, up in Scotland, to smooth the way for him to succeed. Years after he took the English throne, James was so sensitive on this subject that he pressured William Camden, writing a book about Elizabeth I, to distort the tale of the succession sequence. Borman reports that examining Camden’s handwritten manuscript proves that key passages were pasted over and rewritten to make James I look better. 

 James I is very much a mixed bag. Undeniably intelligent, he was obsessed with a fear of witchcraft and personally wrote Demonology, a treatise meant to justify witch trials and executions. Elizabeth’s councillors were taken aback to realize that, unlike the last Tudor monarch, he was not interested in hands-on running of the country or financing world explorers. When not ranting about witches, he wanted to go hunting and have affairs with beautiful young men. The miniseries Mary & George depicts an ambitious woman from a second-rate gentry family, played memorably by Julianne Moore, scheming to get her handsome son, played by Nicholas Galitzine, into the bed of the new King of England. 

One bone I have to pick with Borman’s book is the title. James “stole” it from…who? He had no serious competition for the English throne. That's one of the chief reasons the Tudors were followed by the Stuarts. His tragic first cousin, Arabella Stuart, seems to have struggled with severe emotional problems and behaved erratically, Borman writes. Other relatives with a strain of Tudor or Plantagenet blood were not persuasive candidates. He was the strongest in a weak field. 

While she took great pains not to name him officially, Elizabeth maintained a steady correspondence with young James, giving him a “master class in monarchy” that, in a pique of misogyny, he ignored his whole reign, Borman writes. James didn’t want to work with Parliament or create a majestic presence that the public could admire, as the Virgin Queen had done. Instead, he was obsessed with the “divine right of kings,” a concept unconnected to leadership, which he unfortunately instilled in his son, the future headless Charles I. 

The Stuart father and son’s conviction that God had put them on a higher plane than mere mortals didn’t go down well in the 17th century. Today, reading about disgraced Andrew Windsor-Mountbatten’s demand that he be given a cook, housekeeper, gardener, and a butler before agreeing to hide himself away on the vast Sandringham estate, you have to wonder what delusions of innate superiority are still being inculcated by the royal family. Can a more severe punishment be imposed on Andrew? This isn’t the 15th century, when Edward IV could order his brother, the duke of Clarence, to be drowned in a barrel of Malmsey. As Tina Brown pointed out in The Interview, released yesterday, it’s risky to make Andrew and Fergie’s lives so horrible that they have nothing left but to sell their secrets...

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If you want to read more of my reviews of historical podcasts and nonfiction as well as historical fiction, subscribe to my new, free substack, "History, Horror & Headlines."